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Alice Fulton photo by Hank De Leo
The Nightingales of Troy

The Nightingales of Troy


Recent and Scheduled Interviews

Tish Pearlman, "Out of Bounds" WEOS Geneva, New York, Thursday, July 31, 2008, 7:00 pm EDT.
(live stream)

Boston Globe "Distilling Decades into Fiction"

Irish Times Magazine "Legends of Troy"

Other interviews



Events Calendar
(follow links for details)

Fordham University
Poets Out Loud Award Reading
March 5, 2008

University of North Dakota
“Revolutions” Writers Conference
March 27&28, 2008

Hartford Academy of the Arts
Wallace Stevens Poetry Program
April 22, 2008

University of Connecticut
Wallace Stevens Poetry Program
April 23, 2008

Market Block Books
Troy Night Out & Publication Party
June 27, 2008

Russell Sage College
The Carol Ann Donahue Poet for 2008
October 2, 2008

University of Houston
Poetry Reading and Emily Dickinson Panel
October 22, 2008

Reed College
Poetry Reading
November 6, 2008

New York State Writers Institute
Fiction Reading
November 11, 2008


The Nightingales of Troy

Excerpts from Reviews

“With The Nightingales of Troy: Stories of One Family’s Century, her outstanding first fiction collection, poet Alice Fulton reveals herself to be triumphantly at home in the short story. Spanning the 20th century — from a farm birth in 1908 to an MRI in 1999 — Fulton’s stories are sublime distillations, not only of the individual lives they so eloquently describe, but also of the eras throughout which the formidable Garrahan family endures.”

Anna Mundow
The Boston Globe

full text at The Boston Globe

Rule01

“Every element in this collection of scintillating linked short stories is surprising, pleasurable, and stealthily affecting. In her first fiction title, Fulton, a MacArthur fellow best known for her poetry, traces the female line in an Irish Catholic family living in her hometown of Troy, New York. The ‘Nightingales’ (as in Florence Nightingale) is the name bestowed on the nurses in the Garrahan sisterhood — which also includes a waitress, a Melville scholar, true-grit mothers, and stalwart spinsters — by a marvelously theatrical, hard drinking priest. The book opens in 1908 with a do-it-yourself childbirth story, and the final tale, a daughter’s good-bye to her mother, takes place in 1999. In between, Fulton displays extraordinary verve in the originality of the predicaments she creates for her irresistible characters, her evocation of the majesty of the land and the rise and decline of the town, and her ravishingly inventive language. Drawing brilliantly on the vernacular and ambience of each decade, Fulton orchestrates richly hilarious stories revolving around the sinking of the Ship of Joy, an accidental acid trip with the Beatles, and crazy battles over a burial dress, an exceptionally neurotic freeloader, adored pets, and the ‘Glorious Mysteries.’ ”

Donna Seaman
Booklist starred review

Rule01

“You can’t fake quirkiness; it requires soul. It requires a rousing familiarity with language...the roots of words. Alice Fulton is a poet...; here she is writing her first novel.... Boy, oh boy, was it worth waiting for! Four generations of Garrahan women are placed before us, blessed and cursed, saints and lost souls.

Words like ‘vamoose’ and ‘rigmarole’ and ‘hotsy-totsy’ roll around like bright spots in that dark, early 20th century landscape, tinged with harsh weather and enough death and disease to make Angela’s Ashes look like a comic valentine. Choking, childbirth, fevers, drowning, pneumonia were just a few of the causes of untimely death.

The Garrahan women meet their fates head-on. Through some sleight of hand, Fulton lets us know them from the outside and the inside, both. ‘Happiness,’ thinks Mamie, the mother you’d want on a desert island, ‘is nothing but God’s presence in the silence of the nerves. And though my children were sleeping the sleep of the just, I half believed my unvoiced thoughts would reach them across that room full of twentieth-century light.’ ”

Susan Salter Reynolds
Los Angeles Times Book Review

full text at The Los Angeles Times

Rule01

“Alice Fulton’s collection of short fiction, The Nightingales of Troy, vividly infuses 10 stories of the members of a New York state Irish clan with humanity, humor and nuance… a trademark compassion that runs through generations.

In ‘Happy Dust’ we meet Mamie Flynn Garrahan, a 26-year-old farming woman…. Mixing dry wit with a knowing sense of the foibles of human character, Fulton creates a funny, spirited tale of the powers of self-reliance. Peg Flynn, the heroine of ‘Queen Wintergreen’ …must weigh a marriage proposal with her own sense of self. Here Fulton presents a quiet study in dignity and the family pressures the young can direct against the old…. As decades move ahead, Garrahans reappear, older and not necessarily wiser. Now the stories are told by their children, who are often appalled by their parents’ behavior.

In the brilliantly comic ‘The Real Eleanor Rigby,’ teenage Ruth Livingston and her best friend Sunny win a local radio contest and get to visit the Beatles’ dressing room at New York’s Shea Stadium. Unfortunately for Ruth, her irrepressible mother, Annie, is her escort. When Annie Garrahan Livingston meets the Beatles, amazing things happen that send poetic, intellectual Ruth (along with the Beatles, she’s addicted to Melville) to the heights of humiliation and happiness.

After spending time with the Garrahans, you know that the Garrahans of the future will be just as conflicted, hopeful, tragic, witty… as their predecessors. You also will know that Alice Fulton is a writer who can provide the complicated pleasures of accomplished fiction. ”

Richard Wallace
The Seattle Times

full text at The Seattle Times

Rule01

“Alice Fulton is best known as an acclaimed American poet, but her first collection of short stories, The Nightingales of Troy , cements her place as a first-class fiction writer.

With a natural sense for narrative and for the peculiar, Fulton constructs a thoughtful framework to connect her main characters. While the Garrahan women endure as individuals, history, genealogy and a curious connection to the proposition of sainthood bind them together. The sainthood Fulton investigates is rife with transgression, earthly stumbling blocks and stubborn love. The Garrahans deal with questions of sacrifice and self-preservation, of persevering as individuals while bearing the weight of the past and the forces of fate and personality.

Fulton’s prose thrives on the tactile, and, as in her poetry, the language is brilliantly precise. While often rooted in the physical, Fulton’s narration frequently moves beyond the immediate, both powerfully and subtly. For a writer who has accomplished so much in another genre, it’s a very happy (if not altogether surprising) thing that Fulton’s fiction is as perceptive and rich as her verse.”

Thea Brown
L Magazine

full text at The L Magazine

Rule01

“In Alice Fulton’s story collection, The Nightingales of Troy, the sentences are songbirds. They chirp and charm throughout…. In 10 rich and dense stories, one for each decade of the 20th century, we see four female generations struggle and search for hope in and around Troy, N.Y…. Quirky characters look for love and then try to survive what they’ve found…. They deal with children and the shadow of death. Sometimes tragedy hits, and sometimes they find a spark of happiness. A few even meet the Beatles…. One character wants to stage a water ballet dedicated to Florence Nightingale — hence the book’s title — but the conceit of elegant and out-of-place birds in upstate New York resonates on several metaphorical levels…. You can meditate over this prose, which sparkles with soul and wit.”

Daniel A. Hoyt
The Cleveland Plain Dealer

Rule01

“In 1908, Mamie Flynn Garrahan is facing a difficult birth…. A farmwife, Mamie doesn’t take any nonsense, and her stolidly candid, perspicacious-yet-nonjudgmental voice is one of the great pleasures of this pleasing collection. Fulton offers a complete group portrait of the Garrahan women. As she follows this family through the 20th century, the author changes her tone and her narrative tactics to allow each character to emerge as her own fully realized self. "Queen Wintergreen" is the story of Mamie’s mother, contemplating widowhood, her place in her son’s crowded household and an unexpected marriage proposal. By telling Peg Flynn’s tale in the third person, Fulton is able to offer external observations, but she also allows Peg to retain some mystery. Other stories call for other accents. In "Dorothy Loves Maleman," Fulton demonstrates that she is just as convincing giving voice to a schizophrenic as she is at creating prodigiously sane characters like Mamie. Different perspectives emerge as characters move through each others' stories, and, while each entry works on its own, the readers’ experience of these women is enriched by viewing their lives together. Fulton has a poet’s economy of language and an ability to choose discerning details. Emotionally satisfying and extremely well-crafted short fiction.”

Kirkus Reviews
starred review

Rule01

“These beautiful connected stories feature several generations of good Catholic women in upstate New York. Ruth is introduced in the 1960s as ‘the loneliest girl in North America…. the only Catholic High student who subscribed to Zen Teen, the Journal of Juvenile Macrobiotics.’ In the perfectly titled final story, ‘L’Air du Temps,’ Ruth sniffs the complicated scent of her mother’s mortality. That story and this collection end with a subtle and sure emotional impact….”

Barbara Fisher
The Boston Globe

Rule01

“These 10 linked stories by MacArthur fellow Fulton track the lives of four generations...creating a colorful patchwork of the 20th century. Fulton’s strengths are in elaborate detail and delicate construction....providing the tension at the heart of a book that’s rich with feeling for its characters yet willing to expose their faults.”

Publishers Weekly

Rule01

“Set in Troy, New York, this debut novel by acclaimed poet Fulton uses ten linked stories to show how the Garrahan women have struggled with triumph and tragedy over a century. A delightful blend of history and storytelling….”

Donna Bettencourt
Library Journal

Rule01

advance praise

“In this tour de force collection, Fulton’s lyrical gifts couple with a powerful narrative to bring us the gloriously unexpected Garrahan sisters. This is a book you’ll place alongside Alice Munro and Grace Paley for the rich humor and psychological acuity, the stories of fracture and healing: the smallest things that grace us.”

Jonis Agee

“What a pleasure to move through Alice Fulton’s rich and layered Troy, to meet the members of this eccentric family and delve into their lives! A lovely and illuminating collection.”

Andrea Barrett

“Here are ten beautiful, startling, tightly-raveled stories about memory, family, and time. Each narrative haunts the other nine.  The Nightingales of Troy offers a marvelous example of how connected stories can, sometimes more effectively than a novel, evoke generations, individual histories, and the appallingly short, precious gifts that are our lives.”

Anthony Doerr

“This gorgeous collection will surprise you on every page. The voice is vivid, the prose perfect, and the characters unforgettable. I loved it.”

Karen Joy Fowler

“Alice Fulton tells fabulous stories. A book of laughter and tears.”

Maxine Hong Kingston

“Alice Fulton’s wonderful new collection of linked stories about four generations of Irish-American women is comic and tragic, marvelously observed and deeply moving. The Nightingales of Troy should establish her as not only a gifted poet, but one of the best writers of fiction working today.”

Alison Lurie

“With The Nightingales of Troy, Alice Fulton makes her debut as one of the most exciting voices in contemporary fiction. These linked stories read like a novel about a family and community, a window on the past hundred years, rewarding the reader sentence by sentence. At times hilarious, at times heart-breaking, these lives will stay in your mind and delight long after you finish the last page.”

Robert Morgan

“A world is brought blazingly to life in Alice Fulton’s elegant, wise stories. These women are bound by their bodies (glory, solace, and downfall) as well as their time and place. And yet there’s love — and revelation. A brilliant collection.”

Lee Smith

Rule01

Set in Troy, New York, this linked collection of stories follows a quirky and resilient family throughout the twentieth century. (July 2008.)

In 1908, Mamie Garrahan faces childbirth aided by her arsenic-eating sister-in-law Kitty; a nun who grows opium poppies; and a doctor who prescribes Bayer Heroin. “In the twentieth century, I believe there are no saints left,” Mamie remarks. But her daughters and granddaughter test this notion with far-reaching consequences. Kitty’s arsenic reappears sixty years later in the hands of her distraught niece. A schoolgirl’s passion for The Beatles and Melville—a passion both lonely and funny—shapes her life. Each decade is illuminated by endearingly eccentric characters: an anorexic waitress falls for a wealthy college boy in the jazz age, an exuberant young nurse questions science during the Depression, a homely seamstress designs a scandalous dress in the 1950s.

The Nightingales of Troy, the first fiction collection by an acclaimed American poet, creates a vividly palpable sense of time and place. Fulton’s memorable characters confront the deepest dilemmas with bravery and abiding love.

Alice Fulton’s honors include a MacArthur Fellowship and The Editor’s Prize in Fiction. Her work has been chosen for Best American Short Stories and The Pushcart Prize Anthologies. She lives in Ithaca, New York, and teaches at Cornell.

(read more about Alice Fulton)

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